The Malaysian Insider :: Books
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| Mary Gabriel on love, capital & Karl Marx’s family Posted: 20 Oct 2011 03:38 AM PDT
The result is a revealing portrait of Marx as a husband, father and human being inside a thorough account of the poverty, persecution and death which haunted the family of a man whose political theories would change the world. Gabriel, whose book has been nominated for a National Book Award in the United States, spoke to Reuters about her work: "Love and Capital: Karl and Jenny Marx and the Birth of a Revolution". Q: Wasn't Marx a crowded field for a writer? A: There are libraries of books on Marx and books on his theory in every conceivable language, but I was shocked to find that among all those volumes there was not a single book that focused on Marx and his family. Marx's personal life has been a controversial subject from the time of his death in 1883. Immediately after his burial efforts began by his followers to sanitise his story so that this 'socialist god' would not seem human. I believed there was room for another biography that told the story of Marx and his family, that readers ought to be introduced to Marx as husband, father and friend — for better or worse. Readers will see that this man was not at all the stern patrician he appeared to be in socialist and communist propaganda. I also found that uncovering the private Marx helped me understand his theory. Having done so, I can't imagine reading Marx's works without understanding the circumstances in which they were written and the historical events that were unfolding around him as he did so. Q: What surprised you most about Marx? A: I was shocked by how approachable Marx was, and how much, by the end of the project, I enjoyed his company (I "moved in" with the Marxes for about eight years.) There is a silly question people are often asked about political candidates — "Which one would you most like to have a beer with?" By the end of the book, I would answer Karl Marx! He was funny, brilliant, passionate and completely exasperating, which in a sense only made him more endearing. I came to the book with an image in my head of Marx's Highgate monument. He was utterly remote — no doubt as stony in life as he was in death. But when I encountered him in his letters, or those of his friends and family, and understood his commitment and the sacrifices he made for his work, I realised how wrong I had been about him. Whatever one thinks of his politics or vision, one can't ignore his dedication to his mission — which he believed was to save mankind from the excesses of capitalism. Q: Do you think Marx would have been surprised by how "communism" under the Soviets actually turned out? A: I think Marx would have turned over in his grave if he had lived to see Lenin or Stalin at work. Soviet Russia could not have looked less like Marx's vision of a communist society — which in fact was never completely articulated. From the time he was a young man, Marx abhorred the notion of the state imposing its will upon the people. He had a horror of state surveillance of citizens, a surveillance he was subject to. And he would have never advocated state violence in order to suppress dissent. In many ways the Soviet state reflected Marx's personality — he was easy to anger and had little patience with those who disagreed with him — more than his theory. I am convinced he would have been a committed anti-Soviet. Q: Of all the characters, who did you admire most and why? A: I really loved Jenny Marx, Karl's wife, and his eldest daughter Jennychen, but I must say I enjoyed Marx's closest collaborator Friedrich Engels most of all. Engels was part playboy, part saviour; part soldier, part philosopher. He was, in fact, much more complicated than Marx. Through the years, he has been one of the most misunderstood historical figures. He is either not given the credit he is due: his role in Marx's life and work was integral; he was, as Marx called him, his alter ego. Or he has been blamed for the excesses of 20th century communism, as if his writing deviated so much from Marx's that it spawned its own brutal form of communism. The two men worked so closely that their handwriting shared the same page. Engels knew Marx's works and theories as well as Marx did, and his superhuman loyalty to his friend certainly did not abandon him when he was left to edit Marx's final two volumes of Das Kapital. In fact, Engels not only provided Marx with the all-important 'material' upon which to build his economic theories, by introducing him to the actual horrors of industrial capitalism, which he knew intimately because he worked at his father's factory in Manchester, England, but he also gave Marx the material means to survive. Throughout their relationship, which lasted for nearly 40 years, Engels supported the Marx family. He did this with an unfathomable spirit of generosity and belief in Marx's genius. While writing, whenever the Marx family's own story became too grim, I was thrilled to be able to escape into Engels's world. Q: Did you feel burdened by the weight of all the debate about Marx, Engels, communism, etc from the right and the left. A: I didn't feel burdened by it, but I was mindful that I had to be absolutely balanced in my writing in order to avoid becoming part of the debate. Marx and Marxism is a minefield, probably more so in the United States than in Europe or Asia. I wanted to make absolutely sure that the information I presented and the way I presented it was correct, in part, because there has been so much misinformation about Marx. I am not a Marxist -- I'm not even sure at this point what that means — but I wanted to make sure I presented Marx and his theories as clearly as I could for an audience that might have only been introduced to him as the inspiration for repressive communist states. Q: What was it like for Jenny, the daughter of a Prussian aristocrat, to stay married to Marx? A: Sometimes it's hard from our perspective to understand why Jenny stayed with Marx. There were many times when a modern wife in her position might have walked away, but that was not done in those days. Divorce wasn't legal in England until 1857 and even after that, divorced women were social outcasts. There is no indication that Jenny ever considered that step, or that she truly ever abandoned Marx emotionally. He would have been an absolute trial to live with, but I think she believed — like Engels — that she was orbiting around a very special star and that her difficult job was to try to protect and nurture it. — Reuters Full content generated by Get Full RSS. |
| New book says van Gogh’s death was no suicide Posted: 19 Oct 2011 06:56 PM PDT  Van Gogh is known to have suffered prolonged bouts of mental illness and depression. — AFP/Relaxnews pic Two American authors are now challenging the theory that the enigmatic post-Impressionist killed himself aged 37, saying he claimed to have attempted suicide to protect two teenaged brothers — one of whom shot him. Van Gogh, who suffered prolonged bouts of mental illness and depression — he sliced off an ear once — was not contemplating taking his life, Gregory White Smith and Steven Naifeh argue in their new book "Van Gogh: The Life". "The version retained is not credible," Smith said in an interview published in the Dutch newspaper NRC Next. The duo, who won a Pulitzer Prize for their biography of US artist Jackson Pollock, spent 10 years researching their book, which argues that van Gogh was fatally shot in a farmyard in the town of Auvers-sur-Oise, near Paris. Their hypothesis — which the head of the Van Gogh museum in Amsterdam calls "spectacular" — has the art world talking. "I must say, we feel we are in the middle of a whirlwind that we didn't quite anticipate," Naifeh told AFP by telephone from South Carolina, where he and Smith live. "We anticipated this would generate, not quite this level of furore, but certainly some level of furore," he said. Naifeh added: "These pieces of evidence came from multiple different sources, and only by putting them all together does this alternative version emerge." On the CBS show "60 Minutes," Naifeh asked: "How did he (Van Gogh) get the gun? Everybody in Auvers knew that he had been in an insane asylum. Pistols were a rarity in rural France. Who would've given Vincent van Gogh a gun?" According to the authors, who had access to family letters and private correspondence, the painter left his boarding house on the fateful day — July 27, 1890 — with paints and easel. "Why would he have waited just until this moment to end his days?" Naifeh told NRC Next. "He wasn't going through the most difficult period in his life. "Does someone paint when he has decided to end his life? It just simply does not hold," he added. Van Gogh — portrayed by Kirk Douglas in the 1956 film "Lust for Life" — returned to the boarding house run by the Ravoux family five hours later with a bullet wound and died in the arms of his brother Theo after 30 hours. Smith said doctors at the time reported the bullet entered at a "crazy angle". The gun and his painting supplies from that day have never been found. The authors argue that van Gogh was shot, probably accidentally, by one of the Secretan brothers. They say one of them alleged that the artist had stolen his pistol. 'Still questions without answers' When asked by police whether he had committed suicide, he is said to have replied from his deathbed: "I believe so. Don't accuse anybody else ... it is I who wanted to kill myself." According to the daughter of the boarding house owner — who was 13 at the time of van Gogh's death — the painter replied "yes" when a doctor asked him if he had taken his own life. Naifeh told CBS: "What the evidence points to is that this incident took place not in the wheat fields, but in a farmyard on the Rue Boucher. That it involved these two boys. "And that it was either an accident or a deliberate act. Was it playing cowboy in some way that went awry? Was it teasing with the gun with Vincent lunging out? It's hard to know what went on at that moment." The Van Gogh museum in Amsterdam — which had extended cooperation to the two authors — said the new theory was "interesting" but added it was premature to discard the long-held suicide theory. Museum curator Leo Jansen said "there are still questions without answers regarding the suicide of Van Gogh," but noted that the "spectacular" theory proposed by the two US writers also leaves "some questions unanswered". "The two authors have not found new facts, they have just interpreted them differently," he said, also questioning why van Gogh would protect two boys "who never stopped bothering and teasing him?" Naifeh said he believed "a couple of kids had shot Vincent van Gogh and he decided to basically protect them and accept this as the way to die. These kids had basically done him the favour of shooting him. "He knew that he was a burden to Theo. So there's something wonderfully sweet and touching about the fact that Vincent would accept death partly to end his own misery. But even more so to take this terrible burden off of his beloved ill brother's shoulders." But Van Gogh — who once wrote that he would never amount to anything as a painter, and whose works now are among the most expensive pieces of art — would not have become the legend had he lived a normal life, leftist Dutch De Volkskrant daily said in an editorial on Tuesday. "If Vincent van Gogh died of old age at the age of 80 in 1933, bathed in glory and in possession of both his ears, he would never have become the myth that he is today," it said. "His psychosis, his depressions, his errors and their manifestations — an ear severed, suicide — are as much the integral history of 'Vincent van Gogh' as the cypresses and wheat fields" he famously painted, it said. — AFP/Relaxnews Full content generated by Get Full RSS. |
LONDON, Oct 20 — Veteran journalist and former Reuters editor Mary Gabriel spent eight years poring over the personal lives of Karl Marx and his aristocratic wife Jenny.| You are subscribed to email updates from The Malaysian Insider :: Books To stop receiving these emails, you may unsubscribe now. | Email delivery powered by Google |
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