The Malaysian Insider :: Books
The Malaysian Insider :: Books |
| German literary critic and Holocaust survivor Reich-Ranicki dies aged 93 Posted: 18 Sep 2013 08:35 PM PDT Reich-Ranicki, a Jew born in Poland in 1920, almost perished at the Nazis' hands in World War Two but went on to become one of the leading advocates of German literature and culture during his long post-war career as a journalist, writer and critic. He became a revered figure in his adopted country, hosting a popular literary talk show on television from 1988 to 2002 and dishing out sometimes withering verdicts on other writers. Frank Schirrmacher of the Frankfurter Allgemeine Zeitung, where Reich-Ranicki had been literary critic for many years, tweeted the news of his death and triggered an immediate flood of condolences from around the German-speaking world over the passing of a man widely known as "the pope of literature". "We have lost an incomparable friend of literature but also of freedom and democracy," said Chancellor Angela Merkel. "The fact that this son of a Jewish German-Polish family, who lost his parents and relatives in the death camps of the Nazis, still found his home in Germany and gave so much to our country is one of the remarkable events of the post-war period." In his best-selling autobiography My Life, Reich-Ranicki recounted his move to Berlin shortly before the Nazis' rise to power, his family's subsequent deportation back to Poland and their experience of being forced to live in the Warsaw Ghetto. The memoir explores the tension between his life-long love of German literature, music and philosophy and the horrors of 20th century German history. His parents died in the Treblinka death camp but he survived to join the Polish resistance and became a communist. Disillusioned with communist Poland, he later emigrated to West Germany where he flourished as a literary critic. Reich-Ranicki was famed for saying what he thought and did not spare even acclaimed authors such as Nobel Laureate Guenter Grass when he felt harsh words were merited. "The Germans love him. He is their raging bull who has always refused to be a sacred cow," wrote Australian-born British broadcaster and writer Clive James, who tried to make Reich-Ranicki better known in the English-speaking world. "Every living German writer wants his praise but it has always been hard to get: the reason, of course, why they would like to have it," James wrote. - Reuters, September 19, 2013. |
| Best-selling Jamie Ford on writing that second novel Posted: 18 Sep 2013 06:21 PM PDT But an invitation to write a story for a literary event led to the tale of an orphan boy who thinks he sees his mother in a movie, which grew into Songs of Willow Frost, out last week. Ford revisits historical Seattle in his story of William Eng, who travels through the Depression-era city in search of his mother Willow, whom he has not seen since she was carried half-dead out of their apartment when he was a child. Ford spoke with Reuters about living up to a debut book that spent more than two years on the New York Times bestseller list. Q: How did you come up with the character of Willow? A: She definitely took some time. I looked at that time period. I began with the orphanage and began with the character of William. This was coming 19 years after a flu epidemic and it seemed like a really volatile time. To place a Chinese woman here... I guess I always sympathise with characters who are caught between worlds. I'm half-Chinese. I either never feel Chinese enough or never feel Caucasian enough. It just seemed as if there was a bunch of really interesting history and Willow was a great character to walk the reader through all that. Plus, the more I read about (actress) Anna May Wong, the more I felt for her being a Chinese woman who had dalliances with white men — producers, directors — but because of miscegenation laws she could never marry a Caucasian man and she was really shunned by a lot of the Chinese community. Q: For this particular book, what were some of the difficulties of writing and what were the joys? A: One of the difficulties was, you know, the second book. Just trusting my gut. That was hard. When I wrote Hotel nobody cared. When I wrote this one there was suddenly a high level of expectation. The joy was that I'm happy writing. I love the process, I love the research. Occasionally something unexpected will happen and a new character will walk onto the stage. I'll feel "Oh, I've made a new friend today". My wife didn't read the manuscript until it was completed but I remember telling her those moments when I really liked this character and I feel terrible for what I've done to this character. You engage with them. In my mind, my characters have immortal souls — they're in some parallel universe, doing their thing. When they get to that point where they seem fully formed, it's a very joyful moment. Q: Did you expect Hotel to do as well as it did? A: Yes, I expected it to be a tremendous success and I went out and bought a Porsche, knowing I could pay for it later. No, seriously, if I had sold 15,000 copies I would have been over the moon. My measure for success was to have someone buy it and like it that didn't share my same last name. Q: Did it make it harder to write Willow? A: It did. You know, I wrote another book in the middle. I changed the process a little bit because I was a little wary. With Hotel, nobody saw it until it was done. But when I was 100 pages in I showed (the other book) to my wife and my agent and got a lot of feedback. I left the door open and there were a lot of cooks in the kitchen and I ended up rewriting it for about 18 months. It just got to a point where it was all scar tissue. But in the meantime I would turn in a draft and then I would be researching the next book, which was this book. Once I read a couple pages of what I thought might be a good beginning to this book at the Humanities Washington forum, I showed those 12 hastily scribbled pages to my editor. She loved them and she said, if you'd like to take a break from the other project and pursue this, go for it. And I did. It feels as if I vented all that angst in that other book. Q: Any advice for aspiring writers? A: When I have aspiring writers or students ask me for advice, I've told them to go to a garage sale, buy three really horrible out-of-print books, pay no more than a quarter apiece for them and force yourself to read them with a writer's eye. By doing that, you'll notice mistakes or quick, sloppy writing or whatever you notice. And you'll notice that in your own writing. I found that if you think Michael Chabon is a brilliant writer and that all you read is Michael Chabon, when you try to write, it's like trying to lose weight and only looking at beauty magazines. It's really discouraging. That doesn't mean you should read crap all the time but don't try to play Mozart the first time you sit down at the piano. Start with scales. - Reuters, September 19, 2013. |
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