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The Malaysian Insider :: Books


Murakami’s new book unveiled in Japan

Posted: 17 Apr 2014 07:42 PM PDT

April 18, 2014

Haruki Murakami's (pic) first collection of short stories in nine years hit the shelves in Japan today with some excited fans queuing for the midnight launch.

Around 70 fans took part in a countdown ceremony at Kinokuniya bookstore in Tokyo's entertainment and shopping district of Shinjuku, where firecrackers were set off as the clock ticked to the witching hour.

The collection, entitled "Onna no Inai Otokotachi" – which can be translated as "Men Without Women" – includes five short stories which have already been published separately in magazines and one new offering.

"Murakami is definitely best known for his (long) novels but reading short stories is a different kind of pleasure," Yoichi Shindo, a web designer, said after buying a copy at the bookstore. "I have been waiting a long time to read his."

Publisher Bungei Shunju has already raised the first shipment of the book to 300,000 copies from 200,000 due to heavier-than-expected advance orders for the first compilation since 2005, local media said.

"It is so rare to see so many people gathering for one writer," said Yuka Sugimoto, another buyer. "I was looking forward to seeing this. It is a bit like a festival."

The collection is the first publication since Murakami's latest novel "Shikisai wo Motanai Tazaki Tsukuru to Kare no Junrei no Toshi" – "Colourless Tsukuru Tazaki and His Years of Pilgrimage" – was released in April last year.

Among the short stories of the latest collection is a 24-page novella, "Drive my car – men without women", which sparked controversy when it first appeared because of a passage that offended a small Japanese town by suggesting its residents habitually throw lit cigarettes from car windows.

Murakami said subsequently he regretted using the name of the town and would change it when the story was published in book form.

Murakami, 65, whose often surrealist works have been translated into about 40 languages, is widely spoken of as a future Nobel Literature laureate. – AFP, April 18, 2014

Nobel winner Garcia Marquez, author of ‘One Hundred Years of Solitude’, dies at 87

Posted: 17 Apr 2014 05:00 PM PDT

April 18, 2014

Colombian Nobel Prize laureate Gabriel Garcia Marquez, 87, passed away in his home yesterday. – Reuters pic, April 18, 2014Colombian Nobel Prize laureate Gabriel Garcia Marquez, 87, passed away in his home yesterday. – Reuters pic, April 18, 2014Gabriel Garcia Marquez, the Colombian author whose beguiling stories of love and longing brought Latin America to life for millions of readers and put magical realism on the literary map, passed away yesterday. He was 87.

A prolific writer who started out as a newspaper reporter, Garcia Marquez's masterpiece was "One Hundred Years of Solitude," a dream-like, dynastic epic that helped him win the Nobel Prize for Literature in 1982.

Garcia Marquez died at his home in Mexico City. He had returned home from hospital last week after a bout of pneumonia.

Known affectionately to friends and fans as "Gabo," Garcia Marquez was Latin America's best-known and most beloved author and his books have sold in the tens of millions.

Although he produced stories, essays and several short novels such as "Leaf Storm" and "No One Writes to the Colonel" in the 1950s and early 1960s, he struggled for years to find his voice as a novelist.

But he then found it in dramatic fashion with "One Hundred Years of Solitude," an instant success on publication in 1967 that was dubbed "Latin America's Don Quixote" by late Mexican author Carlos Fuentes.

It tells the story of seven generations of the Buendia family in the fictional village of Macondo, based on the languid town of Aracataca close to Colombia's Caribbean coast where Garcia Marquez was born on March 6, 1927, and raised by his maternal grandparents.

In the novel, Garcia Marquez combines miraculous and supernatural events with the details of everyday life and the political realities of Latin America. The characters are visited by ghosts, a plague of insomnia envelops Macondo, a child is born with a pig's tail and a priest levitates above the ground.

At times comical and bawdy, and at others tragic, it sold over 30 million copies, was published in dozens of languages and helped fuel a boom in Latin American fiction.

Garcia Marquez, a stocky man with a quick smile, thick moustache and curly hair, said he found inspiration for the novel by drawing on childhood memories of his grandmother's stories - laced with folklore and superstition but delivered with the straightest of faces.

"She told things that sounded supernatural and fantastic, but she told them with complete naturalness," he said in a 1981 interview. "I discovered that what I had to do was believe in them myself, and write them with the same expression with which my grandmother told them: with a brick face."

Tributes poured in following his death.

"The world has lost one of its greatest visionary writers – and one of my favourites from the time I was young," said US President Barack Obama.

"Your life, dear Gabo, will be remembered by all of us as a unique and singular gift, and as the most original story of all," Colombian pop star Shakira wrote on her website alongside a photograph of her hugging Garcia Marquez.

Magic and reality

Garcia Marquez was one of the prime exponents of magical realism, a genre he described as embodying "myth, magic and other extraordinary phenomena."

It was a turbulent period in much of Latin America, when chaos was often the norm and reality verged on the surreal, and magical realism struck a chord.

"In his novels and short stories we are led into this peculiar place where the miraculous and the real converge. The extravagant flight of his own fantasy combines with traditional folk tales and facts, literary allusions and tangible – at times obtrusively graphic – descriptions approaching the matter-of-factness of reportage," the Swedish Academy said when it awarded Garcia Marquez the Nobel Prize in 1982.

Although "One Hundred Years of Solitude" was his most popular creation, other classics from Garcia Marquez included "Autumn of the Patriarch", "Love in the Time of Cholera" and "Chronicle of a Death Foretold".

He admired Franz Kafka's "Metamorphosis" and was also influenced by esteemed Latin American writers Juan Rulfo of Mexico and Argentina's Jorge Luis Borges.

American author William Faulkner inspired Garcia Marquez to create "the atmosphere, the decadence, the heat" of Macondo, named after a banana plantation on the outskirts of Aracataca.

"This word had attracted my attention ever since the first trips I had made with my grandfather, but I discovered only as an adult that I liked its poetic resonance," he wrote in his memoirs, "Living to Tell the Tale."

Politics, literary feud

Like many of his Latin American literary contemporaries, Garcia Marquez became increasingly involved in politics and flirted with communism.

He spent time in post-revolution Cuba and developed a close friendship with communist leader Fidel Castro, to whom he sent drafts of his books.

"A man of cosmic talent with the generosity of a child, a man for tomorrow," Castro once wrote of his friend. "His literature is authentic proof of his sensibility and the fact that he will never give up his origins, his Latin American inspiration and loyalty to the truth."

The United States banned Garcia Marquez from visiting for a decade after he set up the New York branch of communist Cuba's official news agency and was accused of funding leftist guerrillas at home.

He once condemned the US war on drugs as "nothing more than an instrument of intervention in Latin America" but became friends with former US President Bill Clinton.

"He captured the pain and joy of our common humanity in settings both real and magical. I was honoured to be his friend and to know his great heart and brilliant mind for more than 20 years," Clinton said yesterday.

Despite his reputation as a left-leaning intellectual, critics say Garcia Marquez didn't do as much as he could have done to help negotiate an end to Colombia's long conflict, which has killed tens of thousands of people.

Instead, he left his homeland and went to live in Mexico. The damning criticism he levelled at his homeland still rings heavily in the ears of some Colombians.

He was also a protagonist in one of literature's most talked-about feuds with fellow Nobel laureate Mario Vargas Llosa of Peru.

The writers, who were once friends, stopped speaking to each other after a day in 1976 when Vargas Llosa gave Garcia Marquez a black eye in a dispute – depending on who one believes – over politics or Vargas Llosa's wife.

But Vargas Llosa paid tribute to Garcia Marquez on Thursday, calling him a "great writer" whose novels would live on.

Politics and literary spats aside, Garcia Marquez's writing pace slowed down in the late 1990s.

A heavy smoker for most of his life, he was diagnosed with lymphatic cancer in 1999, although the disease went into remission after chemotherapy treatment.
None of his latest works achieved the success of his earlier novels.

One of those, "Love in the Time of Cholera," told the story of a 50-year love affair inspired by his parents' courtship.

It was made into a movie starring Spanish actor Javier Bardem in 2007, but many critics were disappointed and said capturing the sensuous romance of Garcia Marquez's novel had proved too tough a challenge.

Garcia Marquez's most recent work of fiction, "Memories of My Melancholy Whores," got mixed reviews when it was released in 2004. The short novel is about a 90-year-old man's obsession with a 14-year-old virgin, a theme some readers found disturbing.

Garcia Marquez is survived by Mercedes Barcha, his wife of more than 55 years, and by two sons, Rodrigo and Gonzalo.

When he was working, Garcia Marquez would wake up before dawn every day, read a book, skim through the newspapers and then write for four hours. His wife would put a yellow rose on his desk.

His last public appearance was on his 87th birthday when he came out from his Mexico City home to smile and wave at well-wishers, a yellow rose in the lapel of his gray suit. – Reuters, April 18, 2014

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