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The Malaysian Insider :: Sports

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Oakland Raiders owner Davis dies aged 82

Posted: 08 Oct 2011 08:52 AM PDT

NEW YORK, Oct 8 – Al Davis, the long-time owner of the National Football League's Oakland Raiders, died today at the age of 82, the team's official website reported.

The website (http://www.raiders.com) gave no details of the death of one of the leading personalities in the NFL, but said a statement would be made later today.

Davis (picture) was hired as coach and general manager of the Raiders at the age of 33 and later became principal owner.

He was also was commissioner of the American Football League (AFL) in 1966 and was viewed as a driving force in the merger with the NFL that created the modern competition.

"Al Davis's passion for football and his influence on the game were extraordinary," said NFL commissioner Roger Goodell in a statement.

"He defined the Raiders and contributed to pro football at every level. The respect he commanded was evident in the way people listened carefully every time he spoke.

"He is a true legend of the game whose impact and legacy will forever be part of the NFL," he said.

Davis also took the Raiders away from Oakland to Los Angeles from 1982 to 1994 before returning the franchise to its original home.

He was inducted into the Pro Football Hall of Fame in 1992. – Reuters

Four Nations taster on southern hemisphere Sunday

Posted: 08 Oct 2011 08:35 AM PDT

AUCKLAND, Oct 9 – World champions South Africa take on Australia before hosts New Zealand come up against Argentina as the southern hemisphere teams step into the spotlight in the World Cup quarter-finals tomorrow.

Wales and France won their way through to the semi-finals with victories over Ireland and England on Saturday and the All Blacks will be expected to join them after the late match against the Pumas at Eden Park.

The Springboks encounter with the Wallabies in Wellington is likely to be a much tighter affair and could be decided by the battle between the two back rows for dominance at the breakdown.

If the Australian pack, and flanker David Pocock in particular, can get enough quick ball out to their sometimes brilliant backline, the South Africans' title defence could be over.

Argentina's limited game should be no match for the width and power of the All Blacks and the host nation will be most anxious about all of their top players coming through the match unscathed.

Colin Slade will also be under the spotlight as he steps in at flyhalf for Dan Carter, who was ruled out of the tournament with a groin injury last week.

The winners of the two quarter-finals between the four teams that will make up a new Four Nations tournament from next year will meet in the second semi-final in Auckland next Sunday. – Reuters

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The Malaysian Insider :: Showbiz

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Korea’s Busan stakes claim as Asian film hub

Posted: 08 Oct 2011 04:16 AM PDT

A general view of the opening ceremony of the 16th Busan International Film Festival in Busan, about 420 km southeast of Seoul. — Reuters pic

BUSAN, South Korea, Oct 8 — With a new name, a new venue and an emphasis on actors and directors from lesser-known parts of Asia, this South Korean port city is moving decisively to assert its status as the region's pre-eminent film industry destination. 

The 16th annual Busan International Film Festival (Biff), Asia's largest, kicked off earlier this week at the new Busan Cinema Center, an eye-catching, US$140 million (RM476 million) complex designed by Austria-based architectural collective Coop Himmelblau. 

Over 300 movies from 70 countries will be screened at the festival, including 89 world premieres. 

Organisers have spared no expense on infrastructure and expanded the festival to include industry forums and educational activities as the number of competing regional events grows. 

Beijing launched its own international film festival this year, and similar events have emerged in such seemingly unlikely places as Luang Prabang, Laos. 

Even South Korea's hostile northern neighbor is getting in on the act, with the next edition of the biennial Pyongyang Film Festival slated for September next year. 

Organisers expressed hopes the 30,000 square foot venue, topped by a sprawling, LED-covered roof that resembles a pair of wings taking flight, would become a "symbolic structure" representative of the region's burgeoning film business. 

One of the jury members, Australian director Gillian Armstrong, said of the venue at a news conference earlier this week that she was "very, very jealous. I want to take it home." 

Among the most anticipated films are local director Song-il Gon's "Always," which chronicles the romance between a troubled boxer and a young woman losing her eyesight, and "Chronicle of My Mother" by Japan's Masato Harada, about an author coming to terms with his elderly mother's progressive dementia. 

European and North American film luminaries are also well-represented, with France's Luc Besson visiting to promote his latest work "The Lady," a biography of Myanmar democracy champion Aung San Suu Kyi starring actress Michelle Yeoh. 

"What makes the Busan festival special is the city itself, it's by the sea," said Vincent Sung, creative director at Seoul-based communications agency Visual Sponge and a longtime festival-goer. 

"You have glamour mixed with the normal Busan inhabitants, it's casual and relaxed but still keeps a very chic air ... it also gets really amazing lineups of directors and actors, this year is one inch up compared to the other years." 

Veteran French actress Isabel Huppert also attended, announcing on Friday a new collaboration with Korean director Hong Sang-soo and praising the region's "alive, vivid" film culture. 

The festival will culminate October 14 with the "New Currents" prize, which awards $30,000 to two outstanding films by first or second-time Asian directors. 

Among those competing for the title this year are Sri Lanka's Aruna Jayawardana, whose "August Drizzle" chronicles a power struggle in a remote village, and Indonesia's Kamila Andini, who details a young girl's efforts to accept her father's death in "The Mirror Never Lies." 

The festival's focus also appears to be shifting westwards, with several works from Central Asian and Iranian filmmakers figuring prominently on the agenda, including "Cut," a Japan-set crime fable from exiled Iranian director Amir Naderi. 

Streets around the center and the towering luxury hotels of nearby Haeundae Beach were awash with red carpet over the weekend, with police cordons struggling to hold back energetic fans determined to catch a glimpse of one of the festival's many high-profile guests. 

Formerly known as the Pusan Film Festival, the event also adopted the BIFF moniker for the first time to fall in line with the official name for the city. 

Sung had guarded praise for the changes. 

"The new venue is really impressive, the design is amazing ... but compared to past festivals it lost the human touch, it's huge and you can get lost really easily," he said. 

"(But) it's very futuristic and shows Busan wants to go forward in terms of design." — Reuters

Film festival comes to Kabul on war anniversary

Posted: 08 Oct 2011 02:09 AM PDT

Afghans talk about their movies at the French Cultural centre during the First Autumn Human Rights Festival in Kabul. — Reuters pic

KABUL, Oct 8 — A father desperately searches for his son, who has been sent on a suicide bomb mission. After losing everything, he ends up homeless and insane on the dusty streets of Kabul. 

Tragedy can seem all too common in war-torn Afghanistan, but fortunately, this time, the story of Yacoub is not true. 

Instead it is the centre of a movie, one of 50 screened during the first Autumn Human Rights Film Festival. The event provides a central Asian stage for directors from Afghanistan and abroad who are tackling human rights issues, and a window for the public to explore challenges many have faced themselves. 

"This film festival is special compared to other festivals I have attended, because it's about human rights," said Homayun Morowat, the Kabul-born director of the film about Yacoub, An Apple from Paradise. 

The festival takes place at the tenth anniversary of the start of the US military campaign in Afghanistan, a time when the human rights achievements and abuses of the last decade are in sharp focus. 

Amnesty International said on Wednesday the Afghan government and its international supporters have failed to keep many of the human rights promises they made to the Afghan people. 

But media freedoms are still better than in almost all the surrounding countries, according to the Press Freedom Index compiled by Reporters Without Borders, making the Afghan capital a logical choice to host a central Asian film festival. 

Organisers say the festival has been years in the planning and the dates chosen were practical, not political. 

"This event is not related to any political issues, and we started to plan it three years ago," said Malek Shaf'ii, the chief executive of Afghanistan Cinema Club. 

Instead he said they fixed on the human rights theme because over 90 per cent of movies and documentaries made by Afghan independent film makers touch on human rights problems. 

"Human rights issues are one of the biggest challenges for Afghanistan," Shaf'ii told Reuters in the heavily-guarded French Cultural Institute in central Kabul, where many films were shown. 

Afghanistan struggles with desperate poverty and three decades of war that has killed thousands of civilians and maimed or traumatised tens of thousands more. There are also strict restrictions on women, who traditionally have limited rights. 

"The first step we can take to improve human rights is just let the people know the problems and challenges, and we are doing this to make a connection between film makers and the public audience," Hassan Zakizadeh, a festival spokesman said. 

The film festival, which includes 32 Afghan movies and 18 from other countries, lasts seven days, with screenings in a downtown cinema and a auditorium at the French Cultural Centre. 

For Morowat, who now lives outside Afghanistan, the making of his film — which features a despairing father, an innocent son, a corrupt police system and a holy site occupied by gamblers — helped lift his sadness at the fate of his homeland. 

"Now I am relaxed as the experiences are transferred to my audience," he told Reuters after the show. — Reuters

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Libyan city takes siege mentality to national stage

Posted: 08 Oct 2011 08:13 AM PDT

Libyan rebels drive past buildings damaged during heavy fighting earlier this year between Libyan rebels and Gaddafi loyalists in city of Misrata. — Reuters pic

MISRATA, Libya, Oct 8 — Months of bombardment by Muammar Gaddafi's forces, and a central role in the war that ended his rule, have bound the devastated Libyan city of Misrata into an extended military family that runs on trust. 

But as Misrata, a commercial hub whose notables opened their wallets to arm a volunteer force, flexes its muscle in the new world of Libyan politics in which gunmen speak as loudly as politicians, it is increasingly inclined to trust no one. 

A collective memory of suffering, already expressed as a grudge with the rest of Libya in the scramble for political power after Gaddafi, has also taken on a bitter edge at home. 

Even local patriots now wonder about the prospects for a peaceful political transition across the country, if hometown solidarity begins to fray. 

"Misrata belongs to those who stood up for us, not those who left when things got tough," reads a slogan spray-painted on walls across the city - and the military checkpoints surrounding it — in reference those who fled the shelling Misrata endured after it rose up against Gaddafi in February, and who now seek to return. 

The message, some argue, only reflects fear of the havoc a fifth column of Gaddafi's scattered loyalists might unleash if military vigilance lapses as Misrata, along with the rest of the country, struggles to resume a normal life. 

"It's just because the next city away is Sirte," says one would-be returnee at a checkpoint outside Misrata, referring to Gaddafi's hometown some 140 km distant, where Misrata fighters are attempting to crush one of the last pockets of pro-Gaddafi resistance with barrages of rockets and mortars. 

"There has to be some kind of security procedure, because there is still a war," said that man, who declined to be identified as he waited for gunmen to let him drive toward Misrata, accompanied by a resident in better standing who would vouch for him. "I'm not worried. They'll let me in." 

Those who would return need neighbours or members of a sufficiently respected military unit to testify to their bona fides, they say. 

"We're only looking for people who acted against Misrata and its population, including people who committed kidnappings. They are at large," says Mohammed Abu Sneina, a commander with the city's Al-Hariga militia, which mans one such checkpoint at Dafniyah, about 20 km outside Misrata. 

"Those people will be taken aside.When it happens for routine cases, it's temporary." 

That routine vigilance hints at strains in a network of good faith that the city's people invoke, wherever the last stages of the war against Gaddafi brings them. 

At tanker trucks parked alongside the road linking Misrata to Sirte, gunmen returning from a day's fighting fill their vehicles - often adorned with the makeshift rocket launchers that are the tools of their war, or loaded with objects, such as equipment from the recently conquered Sirte airport, that are its spoils. 

They register their license plate numbers in ledgers kept for the Misrata businessmen who send the fuel, and also fund the makeshift rest stops which ply commuting gunmen with tea, tuna sandwiches and packaged cakes. No money changes hands. 

Closer to home, three words recur in Misratans' descriptions of themselves and their relations: 'tarabut', or being connected to one another; 'tadamon', or solidarity; and 'takaatuf', or standing shoulder-to-shoulder. 

Departures from those ideals leave some in the city, where empty shell casings that mark its bombardment have pride of place in the china cabinets of affluent homes, wondering what form wartime unity will take now. 

A resident affiliated with one of the city's most celebrated brigades recounts the experience of the child of a returned family ostracized by classmates when classes resumed at the local primary school. 

"This is shameful, and it frightens me, because it will turn people against one another," said this on-again, off-again militiaman. "If Gaddafi sees this, wherever he is, he must be laughing." 

The ominous shades in Misrata's portrait of itself are visible in its Goushi district, once populated in part by black Libyans with roots in the city of Tawargha, which lies about 40 km south of Misrata. 

Tawargha provided a staging ground and some recruits for Gaddafi's campaign to crush the uprising against him in Misrata. 

The city's fighters recount a campaign of rape and other atrocities waged by volunteers from Tawargha, and circulate a Misrata battle plan purportedly seized from the headquarters of a paramilitary unit led by one of Gaddafi's sons that describes a role for irregulars from Tawargha. 

Misrata's fighters sacked Tawargha in August. It is now partly in ruins and its former population displaced across Libya, including Sirte. Goushi itself appears emptier than much of the rest of Misrata, if less damaged by shells and rockets. 

Fawzi Moreiweis runs a local charity with offices in the district supporting local fighters maimed in the campaign against Gaddafi. He echoes charges, levelled in the capital and elsewhere, that local authorities and the ruling National Transitional Council (NTC) have betrayed the wounded, and waste or misuse funds to intended treat them. 

NTC proposals to compensate the wounded with housing, and calls for reconciliation and self-control from fighters - apparently sparked by criticism of attacks on Africans and dark-skinned Libyans branded as Gaddafi's mercenaries - inspire his scorn. 

"They say, don't mistreat the mercenaries, these Nigerians. Well, you are standing before heroes," he says, gesturing toward militiamen who are among the city's growing ranks of amputees. 

"This money for housing should be given to the wounded directly," he says. "We have empty houses right here." 

One of those fighters, Mohammed Marzouq, calls the jockeying for shares in a transitional government, in which representation of Misrata is emerging as a stumbling block, an insult. 

"If it wasn't for the people who paid the price with their limbs, this revolution would never have succeeded," he says. "What right do they have to divide up seats? Did anyone ask me? 

"If anyone tries to push Misrata aside, we will put him aside. Misrata will take what it is owed." 

Fighters from the city who set up shop in the capital since converging there with others from across Libya to assault Gaddafi's compound in August agree. 

They, like Misrata's fighters on the remaining front, roar laughter over a widely circulated recording that appears to catch a respected Misrata commander berating the NTC military spokesman, who works from a Tripoli hotel, over his absence in the field.  

And like fighters from other regions, notably the western town of Zintan, they dismiss the head of Tripoli's military council, Abdulhakim Belhadj, who has called for military units from elsewhere to pull their weapons from the capital. 

"Does he have the experience and the means to secure all the ministries, embassies, vital institutions?" asked Adel al-Gallal, whose Jaysh Misrata brigade runs a checkpoint outside a landmark Tripoli shopping centre. 

"We don't know that he does. That's why we're here," he said, a day after fighters from Zintan marched on a position of Belhadj's in the capital, before turning back. That incident came after non-Tripoli fighters distributed a derisive, mock-formal arrest warrant for Belhadj that resembled wanted posters for fugitive members of Gaddafi's regime. 

Abu Bakr Mohammed, who once built platforms for wedding ceremonies, has a twisted, raised scar from a shrapnel wound on his forehead to mark his experience of the siege of Misrata. 

He sees his presence in Tripoli and status as a soldier, as necessary, but ultimately worrisome. 

"I'll go back as soon as things have settled down. I want to go back for good. I want a civil society, not an army existence," he says. "I want to get married, and I was going to, in April, before all this started." 

"I'd never even seen a gun, let alone carried one around and shot it.I don't know how long it's good for everybody to be doing this." — Reuters

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PM: ‘Jika tak ada duit tak akan saya berani’ bawa bajet RM232b

Posted: 08 Oct 2011 03:50 AM PDT

RAWANG, 8 Okt – Perdana Menteri Datuk Seri Najib Razak berkata kerajaan sememangnya mampu termasuk daripada segi kewangan untuk melaksanakan Bajet 2012 yang dibentangkan semalam.

"Kalau tak ada duit tak kan saya berani bentang semalam. Saya akan melakukan satu perbuatan membunuh diri dari segi politik kalau saya buat, saya bentang satu bajet yang tidak boleh dilaksanakan oleh kerajaan," katanya ketika ditanya sama ada kerajaan mampu melaksanakan Bajet 2012.

Najib (gambar) yang juga Menteri Kewangan membentangkan bajet dengan dana RM232.8 bilion.

Beliau berkata demikian selepas menghadiri Majlis Mesra Rakyat di Sekolah Jenis Kebangsaan Cina Kundang dan melawat cadangan jalan pintas menghubungkan Kampung Baru Kundang dengan Bandar Tasik Puteri Rawang di sini hari ini.

Dipetik Bernama Online, katanya, kerajaan memang berkemampuan dan rakyat hanya perlu menunggu pelaksanaannya.

Mengenai Belanjawan Bayangan Pakatan Rakyat RM220 bilion yang berbeza hanya kira-kira RM10 bilion dengan Belanjawan Kerajaan RM232.8 bilion, Najib berkata, soalan mengapa nampaknya nilai belanjawan pembangkang dengan kerajaan semacam hampir sama hendaklah diajukan kepada pembangkang.

"Itu kena tanya dia sebab bajet kita ni cara telus orang tahu, orang tahu bajet kita, barangkali dia tahu bajet kita. Jadi apa yang kita buat dalam lingkungan kemampuan kita dan kemampuan kita pun, kita telah bagi tahu daripada segi apa kita mampu lakukan," katanya.

Mengenai kenyataan Ketua Pembangkang Datuk Seri Anwar Ibrahim semalam bahawa pengumuman beliau untuk mengkaji dan menaikkan elaun dan kemudahan anggota Parlimen jika disetujui kedua-dua pihak, tidak disokong oleh anggota pembangkang, seperti yang dilaporkan oleh laman Malaysiakini.

Najib berkata beliau difahamkan anggota-anggota Parlimen pembangkang mahukan kajian semula elaun mereka dan beliau hairan Ketua Pembangkang berkata sebaliknya.

Mengenai dakwaan Ketua Pembangkang bahawa belanjawan negara yang dibentangkan semalam tidak realistik, Najib berkata Belanjawan Negara dibuat berdasarkan fakta yang amat diketahui oleh kerajaan dan melibatkan banyak pihak termasuk pegawai-pegawai daripada Kementerian Kewangan, Bank Negara Malaysia dan Unit Perancang Ekonomi (EPU).

"Jadi tidak mungkin mereka ini tidak mengetahui apa yang patut dibentangkan daripada segi fakta untuk keputusan Perdana Menteri dan kerajaan," katanya.

Jadi apa pun yang penting sekali ialah pelaksanaannya dan apabila pelaksanaannya nanti berkesan segalanya akan terjawab dengan sendirinya, kata beliau.

"Kalau dikatakan tidak realistik maknanya kita tidak mungkin memenuhi janji-janji kita seperti terkandung dalam Belanjawan 2012 sebaliknya saya nak tahu apa yang dia akan kata kalau kita dapat melaksanakannya. Itu akan menjawab segalanya," kata Perdana Menteri.

Mengenai reaksi Kongres Kesatuan Sekerja Malaysia (MTUC) bahawa kurang berita gembira untuk pekerja swasta berbanding kerajaan dalam belanjawan kali ini, beliau berkata faedah untuk kakitangan swasta bergantung kepada rundingan mereka dengan majikan masing-masing.

"Kita tak boleh mengarahkan pihak swasta tapi kita harap melalui rundingan terutama sekali bila kita telah wujudkan mekanisme untuk menentukan gaji minimum mereka boleh menimbangkan gaji minimum yang munasabah bagi setiap sektor pekerjaan," katanya.

Mengenai perkembangan jentera Barisan Nasional (BN) Selangor selepas konvensyennya dua minggu lepas, Najib berkata jentera BN semakin bersemangat dan persiapan menghadapi Pilihan Raya Umum ke-13 semakin bertampah rapi tetapi mereka perlu berusaha dengan lebih gigih untuk meningkatkan sokongan rakyat kepada BN.

Sebelum itu semasa berucap di Majlis Mesra Rakyat, beliau mengumumkan bahawa kerajaan akan membina satu jalan pintas menghubungkan Kampung Baru Kundang dengan Bandar Tasik Puteri Rawang sejauh 3.2 km dengan kos RM4.2 juta.

Beliau berkata jalan ini akan memberikan manfaat kepada 10,000 penduduk sekitar apabila masa perjalanan dapat disingkatkan kepada lima minit berbanding dengan 30 minit jika mengikut jalan lama sejauh 20 km.

Najib juga berkata pihaknya akan berbincang dengan syarikat yang mengendalikan Lebuh Raya Latar yang menghubungkan Kuala Lumpur dengan Kuala Selangor supaya dapat menyediakan satu jalan keluar dari lebuh raya itu ke Kundang.

Beliau dimaklumkan pada masa ini hanya terdapat jalan masuk dari Kundang ke lebuh raya itu dan beliau berharap syarikat yang mengendalikan lebuh raya tersebut akan bersetuju dengan pembinaan jalan keluar ke Kundang dari Lebuh Raya Latar.

Kajian: Kerajaan Melayu Melaka mula tahun 1262

Posted: 08 Oct 2011 03:03 AM PDT

KUALA LUMPUR, 8 Okt – Seorang ahli akademik melahirkan rasa yakin bahawa Kerajaan Melayu Melaka bermula pada tahun 1262, bukannya sekitar 1400.

Pensyarah Pusat Pengajian Ilmu Kemanusiaan, Universiti Sains Malaysia,

Prof Madya Abdul Rahman Ismail berkata hasil kajiannya sejak 1990-an terhadap naskah Sulalatus Salatin (Sejarah Melayu) versi Raja Bongsu, menunjukkan bukti yang benar mengenai permulaan kerajaan Melaka.

"Terdapat banyak versi naskhah Sulalatus Salatin, tetapi Sulalatus Salatin versi Raja Bongsu merupakan sumber pribumi yang paling hampir dan paling sahih dengan sejarah Kesultanan Melayu Melaka," katanya di sini hari ini.

Beliau sebelum itu menyampaikan ceramah bertajuk "Pengasasan Kerajaan Melayu Melaka" anjuran Persatuan Sejarah Malaysia (PSM) di Wisma Sejarah.

Raja Bongsu dikatakan sebagai salah seorang kerabat diraja Johor ketika itu yang ditugaskan menyalin naskhah berkenaan, lapor Bernama Online.

Selama ini diketahui umum bahawa Kerajaan Melayu Melaka diasaskan sekitar 1400.

Terdapat juga hasil kajian yang mendapati kerajaan tesebut diwujudkan pada 1278.

Menurut Abdul Rahman, Sulalatus Salatin versi Raja Bongsu itu mencatat tempoh pemerintahan setiap Raja Singapura dan Melaka dengan jelas dan lengkap yang dapat disimpulkan bahawa Kerajaan Melayu Melaka sudah bermula sejak tahun 1262.

Beliau juga berkata sebelum zaman Kerajaan Melayu Melaka, tiada rekod sahih yang menunjukkan terdapat kerajaan lain sebelum kerajaan itu.

"Dalam sejarah, proses kaji semula sentiasa berlaku dan ia untuk mendapat kepastian yang sebenarnya tentang sesuatu perkara. Pelajar sekolah perlu tahu mengenai penemuan tarikh baru ini sebagai menambah ilmu sejarah," katanya.

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The Malaysian Insider :: Opinion

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After brain drain, now capital flight?

Posted: 07 Oct 2011 05:25 PM PDT

OCT 8 — PNB's takeover bid of SP Setia, merger talks between OSK Holdings and RHB Capital and Sime Darby taking over 30 per cent of E&O have set alarm bells ringing in the business community despite the prime minister's reassurance that the deals are strictly on a willing buyer-willing seller basis.

For one, these deals fly in the face of the government's avowed determination to let the private sector be the engine of economic growth while it takes on the role of a facilitator. Where is the rationale then for the government taking over the management of relatively well-run private businesses?

Even more significantly what is worrying is not the nature of the transactions themselves but the racial undertones to these deals. In most instances the sellers are Chinese and the buyers government linked companies. Even where the government is not involved, there are reports of major Chinese-owned conglomerates like Genting and YTL diversifying out of the country by making significant investments overseas.

While it is nobody's case to argue that businesses should not be able to take corporate decisions as they see fit, are these isolated cases or part of a larger trend towards a minority community losing faith in Malaysia and expressing it through capital flight and physical migration? As it is, the World Bank recently estimated the size of the Malaysian diaspora at close to 1 million. Even more tellingly, 88 per cent of the Malaysian diaspora in Singapore with tertiary education is of ethnic Chinese origin. Decades of affirmative action has to a large extent contributed to this phenomenon, but recent statements from both sides of the political divide may have exacerbated the problem. The flip flops by BN on the abolishment of racial quotas under the NEM, the inability of MACC to make an effective dent on systemic corruption, the tolerance provided by the government towards Perkasa and the prolonged debate on PPSMI have all raised the level of uncertainty within the minority racial communities in Malaysia.

If the growing emasculation of MCA at the hands of Umno is added to the mix, the picture for those ethnic minority supporters of BN looking for a continuation of its largely tolerant past begins to look bleak.

The opposition too has not helped matters with PAS' strident stand on the hudud issue backed by Anwar Ibrahim's tacit "personal" endorsement of the same. DAP, despite its protestations of leaving PR if hudud is implemented, seems to be risking its support from its primarily ethnic Chinese base by its inability to rein in its coalition partners on this issue.

Unless PR is able to revert to a unified position based on its vision of Malaysia as a merit- and needs-based welfare state rather than a theocratic Islamic state, it risks losing its support amongst the liberal educated urban voter across all racial communities, which have been its most vocal supporters so far.

When social justice and economic equality are not forthcoming and both political options seem to be inimical to the minority interest, leaving the country for greener pastures may seem to be the only solution for some people. This has critical implications for the current and future competitiveness of Malaysia in the global economy.

If the tipping point is reached (if it has not been already), the extent of human and capital flight will result in the country struggling to retain its current economic position, far from accelerating towards developed nation status.

The current woes of MAS and TNB under government appointed boards and the lack of high quality local talent across business sectors are symptomatic of what the future of Malaysia could look like if these issues are left to fester.

An uncompetitive economy, international censure and negative FDI, a poorly educated and trained workforce and an inability to climb up the value chain resulting in a lowering of real wages are the likely result.

In such a scenario, migration would accelerate even further with the brightest from all races abandoning ship, worsening the situation even further. What the racial supremacists fail to realise is that if they actually get their way, there may not be much wealth or people left to lord it over.

To compete, Malaysia needs to actually embrace the cliché of Malaysia, Truly Asia in social and economic thought and action by the national leadership of both political coalitions. Focus on the economy not religion. Focus on enhancing competitiveness not racial supremacy. Focus on providing equal access to quality education not on abolishing PPSMI. Focus on affirmative action based on merit and needs rather than race and religion.

Celebrating and encouraging positive diversity may not be an option; it might just be the only way forward.

* The views expressed here are the personal opinion of the columnist.

After brain drain, now capital flight?

We need to talk about Jason

Posted: 07 Oct 2011 05:20 PM PDT

OCT 8 — Since I'm now in the planning stages of my band's next album, it is quite customary for me to start pillaging through my CD collection in search of a particular "sound" that I would like the new album to have. Although the songs have all been written already, my take on what the "art of the album" means will necessitate that I try to find a way to unify all the songs into something like a coherent whole.

Sometimes the album title will do the trick, like our last album which we titled "Pop Tak Masuk Radio" which I somehow feel gave us the licence to explore different sorts of pop and rock 'n' roll styles that we rarely get to hear on the radio. If you listen to the album carefully, the songs' genres are all over the place.

There's the Weezer-ish geek rock sound of the first single "Lagu Cinta Untukmu", the folk rock of "Mencari Malaysia", the glam rock stomp of "Goyang", the riff-happy garage rock of "Semua Tak Boleh", the mid-tempo acoustic balladry of "Whoa Oh Sayang" and so much more.

 It's more like a collection of 10 songs from possibly 10 different genres that somehow fit with each other like a glove because of the overall theme and mood that the album title gave. I mean at least I've never heard one single soul complain to me that it's an incoherent album as a whole, which in turn led me to assume that in general it all fits together.

I haven't yet decided on a title for this new album, although I do have a few contenders playing in my mind already. But I have a feeling that, unlike the last album, this new one will be united more by a general sonic template rather than a certain theme hinted at by the album title.

As I was writing the songs I have always kept in mind that I want this album to lean more towards the pop side of the power pop equation that is our chosen genre. Our last two albums gave more emphasis towards the "power" side of that equation, and I basically feel that we've explored enough of that side of the equation. It will be more fun to try and explore the other side, which we haven't done so in quite a long while.

So I found myself going back to CDs by all the power pop artists I was more than crazy about in the late 90s, when the power pop underground was in full swing and even the major labels were signing power pop acts. One of the giants of that era was a guy called Jason Falkner. I can't really categorise him as a singer-songwriter because if there's one thing that is unique about the power pop scene, it is quite littered with solo artists who not only write and sing their own songs, but also play every single instrument that you hear on their albums, give or take a few lines of guitar or strings. In short, they're literally one-man bands.

I'm a huge fan of many these one-man bands like Michael Carpenter, Darin, Brad Jones, Doug Powell and of course the aforementioned Jason Falkner. What makes Mr Falkner a giant amongst these already impressive one-man bands is not only the quality and adventure of his solo work, but also his previous work with power pop legends Jellyfish and the cruelly short-lived supergroup The Grays, whose line-up had such an impressive reputation that they were reportedly signed by a major label sight unseen, solely on the strength of who was in the band.

Even though I've been a huge fan of Jason Falkner ever since I first found out about him in 1997 and have been following his career ever since (to the point of even owning bootlegs of his home demo recordings and "live" shows), I've never dared to use his music as a sonic template for any of my songs thus far for the simple reason that I've always thought of my songs as way more juvenile and cheeky in spirit compared to his songs.

But fate has a certain way of bringing things together. For months I was convinced that the most appropriate sonic template for our new album might be Stephen Duffy's classic 90s album I Love My Friends, which I personally think has got a delicious amount of jangle and a classily crunchy guitar sound, combined with a crystal clear mix and a raw but clean drum sound.

A rare chance to purchase Mr Falkner's last two albums, the latest of which is still a Japan only release, at slightly cheaper prices than buying it as an import from US websites, has now got me convinced that his latest one All Quiet On The Noise Floor has got just the right sound that I've been looking for.

I still think my songs are quite juvenile and cheeky, even the ones for the new album, but I have a sneaky feeling that they've grown up sufficiently enough this time around to make me feel comfortable about having the word Couple and Jason Falkner uttered in the same sentence. For a big fan like me, that does feel kind of good to know.

* The views expressed here are the personal opinion of the columnist.

Kredit: http://www.themalaysianinsider.com

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Trying out new dishes at… Dish!

Posted: 07 Oct 2011 07:12 PM PDT

The delectable Foie Gras with Chocolate Ice-Cream and Dried Fruit Sauce.

KUALA LUMPUR, Oct 8 — The Foie Gras with Haagen-Dazs Chocolate Ice-cream and Dried Fruit Sauce combined both  hot and cold, sweet and savoury.  Would it work? It did, delightfully. We were at Dish, Dua Annexe in Kuala Lumpur, and trying out some dishes from its new menu.

Grilled Scampi with Lemon Butter Sauce was luscious.

I was a little sceptical at first looking at this first course – but the foie gras appeared luscious, and with a little crust from the searing, and encircled by the dark cherry sauce. It was almost a dessert, but not quite.

You get a light saltiness and crispness at the bite, into the rich bursts of foie gras, which you would touch with the sauce of the cherries that had been soaked in brandy. Then you taste the ice-cream and go hmmm.

Executive chef Ibrahim Zakir's new menu is a must-try.

Executive chef Ibrahim Zakir heads the kitchen at Dish and has tinkered with the menu to include some of his definitive dishes. He comes with solid credentials, from a five-star hotel, and was one of the few Asian chefs to have been invited to be guest chef in 2004 at the James Beard Foundation in New York, at a by invitation dinner for the city's who's who. The foundation recognizes young talented chefs from all over the world (Frankie Woo, chef/owner of Gu Yue Tien was one of them).

Grilled Scampi with Lemon Butter Sauce was generously sprinkled with chopped garlic, fresh herbs and a little chopped chilli. The scampi is from New Zealand, and is like a miniature lobster, with sweet, firm flesh that is perfectly complemented with a buttery sauce balanced with lemon juice.

The chef's version of Baccala Mantecato in Red Pepper Reduction has a fillet of cod panfried and presented on potato mash sitting on a red pepper reduction and with an onion relish on top. 

Creamy cod, touched with a smoky red pepper sauce that has a tinge of heat, tastes good, and I especially liked the sweet onion relish on top of it.

Dish as we know, is about steaks  — from the US Kobe Short Loin Marble 7 to Australian Grain-fed Prime Rib to Australian Black Angus Grass-fed and Australian Ribeye Marble 8, among others.

Medium rare would be the way to have such a good side of beef. And savouring the meat as it is, medium rare, with perhaps some Cajun roasted baby potatoes or even truffle mashed potato and charred brussel sprouts with chilli and anchovies to go with it.

Dish at Dua Annexe also has a champagne brunch on Sundays.

Ours was a striploin, of Australian Wagyu Marble 8, served with a beef jus reduction and béarnaise sauce. It was meat with enough marbling to render it juicy, and just lovely. The steaks are cut to a thickness of 1.5 to 2 inches for maximum enjoyment of the beef.

Of course there is also lamb and veal, including the Australian veal rack, milk-fed.

Dessert was a Molten Chocolate Cake with Vanilla Ice-cream whose centre was sufficiently runny to get our seal of approval.

I always look for a special dessert to wrap up a meal, and other choices could include a Sticky Toffee Pudding drenched in butterscotch, a deconstructed Banana Split, or even an old-fashioned  Bombe Alaska  with homemade pistachio icecream on a bed of caramelized almonds doused in cognac.

What Dish is all about... steaks!

The Champagne Brunch on Sunday is really worth your while if you love champagne – it's free flow Verve Cliquot with lobster, oysters, salad and imported Grade A beef, and chocolate fondant, all for RM288++. Without champagne, it's RM168++ and RM49++ for children. It's from 11am to 3pm.

Other mains on the a la carte daily menu include Braised Lamb Shank w Barley Veggie Cous2 Accompanied by Gremolata (RM69), Oven Baked Crusted Barramundi and Ratatouille with Orange Balsamic (RM58), Roasted ½ Spring Chicken w Grilled Prawn, Sautee Potato, Fine Beans & Garlic Thyme Sauce (RM68).

The Foie Gras is RM56, cod is RM69. I'm happy to see two appetizers I like still on the menu -- Lobster Omelets' served with Lobster Bisque infused by Cognac (RM48), Roasted Juicy Bone Marrow w Pearl Onion Salsa & Toasted Baguette (RM52).

The steaks range from RM23 to RM133 per 100g, depending on what you choose.

Dish is located at Dua Annexe in Jalan Tun Razak, Tel: 03-2166 2066.

Michelin awards two stars to British pub

Posted: 07 Oct 2011 08:44 AM PDT

"Michelin Guide Great Britain & Ireland 2012" gave a British pub an unprecedented two stars this year. — AFP/Relaxnews pic

LONDON, Oct 7 — Michelin has awarded two stars to a British pub, the first in its history.

In the "Michelin Great Britain & Ireland 2012" edition, on shelves October 7, inspectors bumped up the star power of The Hand and Flowers in Marlow, Buckinghamshire, putting the gastropub on the same plane as The Ledbury, Hibiscus and Le Gavroche.

It's been a quick climb to the top for Tom and Beth Kerridge who earned their first Michelin star a year after opening their doors in 2005.

Diners convene around an open brick fireplace and farmhouse-style, rustic wood tables set under low-beamed ceilings and tuck into pub fare that's 'sophisticated yet familiar' — modernised British classics and rustic French dishes.

Added bonus: nary a gastronomic dictionary required.

Main courses, for example, include slow-cooked duck breast with peas, duck fat chips and gravy or roast hog with salt baked potatoes with apple sauce, and for dessert, Glazed Cox's apple tart with rose water ice cream.

Diners looking for a Michelin-worthy meal on the cheap can also get a two-course lunch for £12.50 (RM61.65).

The other big winner in this year's Michelin guide is Restaurant Sat Bains in Nottingham where diners are taken on an epicurean journey that focuses on taste, texture and differing temperatures. The restaurant was also given its second star.

Menus are scarce on details, offering up main ingredients but little else.

A seven-course tasting menu, for instance, starts with pig's head, smoked eel and horseradish, segues into a series of foods like oxtail, pear barley and onions, and ends with chocolate yogurt and cumin caramel.

The tasting menu costs £75.

In total, the Michelin guides added three new stars in Scotland, one in Wales, and four in London, and three new one-star pubs.

Dinner by Heston Blumenthal at the Mandarin Oriental Hyde Park was also given its first star within less than a year of opening.

Meanwhile, London restaurant Pied à Terre was demoted from two to one star.

Last month, Zagat readers crowned The Ledbury their favourite restaurant.

The "London Restaurants & Hotels 2012" guide retails for £10.99 and "Great Britain & Ireland 2012" guide retails £15.99. Both are on shelves now. — AFP/Relaxnews

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