Ahad, 25 Disember 2011

The Malaysian Insider :: Food

0 ulasan
Klik GAMBAR Dibawah Untuk Lebih Info
Sumber Asal Berita :-

The Malaysian Insider :: Food


Water cranks up the heat in chillies

Posted: 24 Dec 2011 06:00 PM PST

Water cranks up the heat in chillies

PARIS, Dec 25 — Scientists on Wednesday said they had solved a puzzle over why some wild chilli plants yield red-hot fruit but others have fruit which is mild. 

The answer lies in exposure to water, they reported in the British journal Proceedings of the Royal Society B: Biological Sciences

The fiery ingredient in chillies is capsaicinoid, which the fruit exudes to protect itself against a nasty damp-loving fungus called Fusarium. 

Researchers led by David Haak of Indiana University went to Bolivia to check capsaicinoid levels in chillies growing along a 300-kilometre line. 

In the dryer northeast part of the section, only 15 to 20 per cent of the plants had pungent fruit. 

The pungency level increased along the line to the wetter southwest, where eventually 100 per cent of plants produced high-capsaicinoid fruit. 

High-pungency chilies pay a price — a "tradeoff" in evolutionary biology — for being able to ward off the fungus. 

They produce half as many seeds as low-pungency chillies, which produce more seeds to boost chances of reproductive success in dry conditions. 

The study looked at a wild strain of chilli, Capsicum chacoense, which is native to South America and has never been cultivated. — Relaxnews

Full content generated by Get Full RSS.
Kredit: http://www.themalaysianinsider.com

The Malaysian Insider :: Sports

0 ulasan
Klik GAMBAR Dibawah Untuk Lebih Info
Sumber Asal Berita :-

The Malaysian Insider :: Sports


New look Clippers ready to deal with great expectations

Posted: 24 Dec 2011 06:45 PM PST

Los Angeles Clippers guard Chris Paul sails to the basket as Los Angeles Lakers' Jason Kapono (left), Darius Morris and Steve Blake (right) watch, during their NBA match in Los Angeles, California. — Reuters pic

Dec 25 — Long overshadowed in Los Angeles by the star-studded Lakers and their 16 NBA Championship banners, lowly city rivals the Clippers have suddenly become the talk of the town following their stunning off-season acquisitions. 

Boosted by the arrival of premier point guard Chris Paul and former All Stars Chauncey Billups and Caron Butler, the Clippers have instantly been installed as genuine title contenders for the 2011-12 season. 

While the players themselves claim they are not feeling any added pressure, there is no question their long-suffering fans now hold great expectations, starting with today's season-opening game away to the Golden State Warrior

"We don't feel any pressure," four-time All-Star Paul told reporters while preparing for his first official game in Clippers colours. "Who's putting that pressure on us? 

"The thing is, at the end of the day, we're the players. We control what we can control and that's the people in this organisation who are in here at practice every day. 

"We can't control what you guys (reporters) say because that is what it is." 

The acquisition of Paul from the New Orleans Hornets for guard Eric Gordon, center Chris Kaman, forward Al-Farouq Aminu and a 2012 first-round draft pick was comfortably the biggest signing in the NBA's off-season. 

Add in twice All-Star small forward Butler and Billups to a line-up already boasting the astonishing dunking talents of Blake Griffin, along with veteran All-Star Mo Williams and talented center DeAndre Jordan, and it is no wonder Clippers fans are suddenly drooling with delight. 

"We really do have a great outlook but, in all actuality, we haven't won a game yet," five-time All-Star guard Billups said warily ahead of today's game. 

"And the difficult thing is that everybody knows we should be a lot better, so we don't have the advantage of sneaking up on teams anymore. Teams are going to be ready. We are going to get a teams' best punch, so we've got to guard for that." 

The Clippers, who won only 32 games last year and have exceeded the .500 mark just once in the last 19 years, have captured the interest of former Lakers great Magic Johnson. 

"For the first time, I'm going to be watching Clippers games," the 12-time All-Star said earlier this month. 

"You're talking about excitement for the city. Wow. I mean, since that (Paul) trade everybody's talking about both teams, that's all the conversation. 

"I think you're going to see sellouts on both sides. It's a great time to be in the city of Los Angeles ... you're going to be able to go see a great Lakers team and then a great Clippers game as well." 

Today will supply the first confirmation of Johnson's prediction as the Lakers host the Chicago Bulls at the Staples Center in downtown Los Angeles before the Clippers take on the Warriors on Christmas night. — Reuters

Full content generated by Get Full RSS.

Giants down Jets to keep playoff hopes soaring

Posted: 24 Dec 2011 05:30 PM PST

New York Giants Deon Grant (34) and Jacquian Williams (57) recover a fumble by New York Jets quarterback Mark Sanchez (not pictured) in front of the Jets Sione Pouha (91) in their NFL football game in East Rutherford, New Jersey on December 24, 2011. — Reuters pic

EAST RUTHERFORD (New Jersey), Dec 25 — The Giants beat the Jets 29-14 in a pivotal New York showdown yesterday that gave the winners a direct path to reach the playoffs and imperiled the losers' chances of advancing.

"We won the game and it keeps us in the playoffs, it keeps us in the hunt with destiny in our hands," said Giants coach Tom Coughlin.

The victory improved the Giants to 8-7 and made next week's regular season finale against the visiting Dallas Cowboys a clash for the NFC East title. A loss would have all but eliminated them.

The defeat dropped the Jets to 8-7, derailing their clear run for an AFC wildcard berth. The Jets remained mathematically alive, but need a win in next week's game in Miami against the Dolphins and help from other teams to qualify for the postseason.

A safety registered by defensive tackle Chris Canty on Jets quarterback Mark Sanchez effectively ended the game by giving the Giants two points for a 22-14 lead with the Jets punting from their own 20 with just over two minutes left.

After a failed on-side punt by the Jets, Ahmad Bradshaw barged into the end zone from 19 yards out to complete the scoring and turn what had been a tension-packed game into a rout.

In the run-up to the game, outspoken Jets coach Rex Ryan said his team was better and vowed to claim Big Apple supremacy and bragging rights in the stadium they share with the Giants.

After the game, Ryan tipped his cap to the Giants.

"We have to give Giants all the credit. They played a great game," said Ryan. "They were definitely the better team this year."

Giants running back Brandon Jacobs shot back at Ryan for his trash talking before the game.

Asked if he had a message for Ryan, the big running back said: "I think you need to shut up. He's a great coach, comes from a great coaching family, but he needs to shut up."

Coughlin credited the Giants' defense for saving the day.

Determining factor

"They kept turning the Jets offense back. That was the determining factor in the game," said Coughlin after limping into his postgame interview session after absorbing a late game collision with his running back D.J. Ware along the sideline.

"We weren't having a very good night offensively."

The Giants registered only 11 first downs in the hard-fought contest, while the Jets doubled that figure but New York made some big plays to compensate.

A huge touchdown connection late in the first half from quarterback Eli Manning to wide receiver Victor Cruz turned the tide for the Giants.

Outplayed to that point and trailing 7-3, Manning hit Cruz on a third-and-10 from their own one-yard line and the elusive receiver escaped from three tacklers on his way to a 99-yard touchdown romp that put the Giants ahead 10-7.

"We all got a tremendous lift when he went coast to coast," said Coughlin.

The Giants extended their lead to 17-7 on a 14-yard touchdown burst late in the third quarter by Bradshaw, who ran over safety Brodney Poole on his way into the end zone.

The Jets whittled down the deficit from 20-7 with a one-yard run by Sanchez halfway through the fourth quarter that made it 20-14, but the Giants' defense rose up to make that cushion stand.

"This was a big win because everything was on the line," said Manning, who completed only 9-of-27 passes but totaled 225 yards.

The Jets had some early success running the ball, but stuck with a game plan relying on the pass to try and take advantage of a weak Giants secondary.

As the game wore on, the pass rush increasingly pressured Sanchez, who was sacked five times and finished 30-of-59 for 258 yards with one touchdown and two interceptions.

Now the Giants will settle the NFC East face to face against the Cowboys.

"It's going to be another knock-down, drag-out fight with Dallas next week," said Giants defensive captain Justin Tuck. "I look forward to it." — Reuters

Full content generated by Get Full RSS.
Kredit: http://www.themalaysianinsider.com

The Malaysian Insider :: Features

0 ulasan
Klik GAMBAR Dibawah Untuk Lebih Info
Sumber Asal Berita :-

The Malaysian Insider :: Features


Nepal’s ‘singing nun’ shares the sound of music

Posted: 24 Dec 2011 04:37 PM PST

Nepal's 'singing nun' shares the sound of music

KATHMANDU, Dec 25 — Wrapped in a maroon robe, her head shaven, Ani Choying Dolma treads gingerly into a Kathmandu hotel, exuding the composure and serenity one might expect from a Buddhist nun. 

But this 40-year-old is no ordinary devotee, for Dolma — better known by her moniker "The Singing Nun" — is the most unlikely of music stars, touring the world to change the lives of thousands of poverty-hit Nepali girls. 

She has recorded 12 albums, and for over a decade has been playing in festivals and concerts across Europe and the United States. 

The money she makes through her soulful music, a contemporary take on traditional Tibetan sounds, goes almost entirely to projects promoting the education and welfare of Buddhist nuns. 

Yet Dolma's story has a dark heart — a childhood marked by brutality that she believes would have left her consumed with hatred if not for a teacher who recognised her talent and became her salvation. 

Born into a family of Tibetans who fled the Chinese occupation and raised in the shadow of a Buddhist monastery in Kathmandu, Dolma describes being beaten daily by her father and says her youth was "physically and emotionally painful". 

But "the rebel in me took over", she says, recalling how she opted to escape her family at the age of 13 to become a nun. 

"I was courageous enough to say that I didn't want it anymore," she told AFP in an interview. 

She moved to a monastery perched high in the hills overlooking Kathmandu where she found a teacher, Tulku Urgyen Rinpoche, an influential Buddhist master in Nepal. 

"The person I am today... all credit goes to my teacher. I don't know what I would have become had I not been blessed with his teachings. It transformed the hatred inside me into compassion," she said. 

Dolma learned English, having left school aged 13, by talking to the foreigners who visited the monastery, and was schooled in spiritual singing by the Rinpoche and his wife Kunseong Dechen. 

She may have been destined to sing for the pleasure of just a few fellow nuns and the tourists lucky enough to hear her at the monastery, were it not for a chance meeting with American new world musician Steve Tibbetts. Tibbetts, who is renowned for his original approach influenced by travel in Asia, was passing through Kathmandu when he heard Dolma chanting at the monastery, and proposed to record her songs. 

She was hesitant at first but consulted her teacher, who urged her to take up the opportunity. "I wasn't sure but he told me that those were spiritual songs full of blessings, so whoever gets to hear them, would be benefited," Dolma recalls. 

Her career took off immediately with a tour of the United States in 1998. Once she started to receive offers for concerts around the world and the sales of her albums grew, she began to use her new-found fame to help destitute girls in Nepal. 

In July 2005, she set up the Arya Tara school, home to nearly 100 girls aged seven to 23 from the Himalayan Buddhist communities, who she says "mostly come from villages, where parents think that their daughters don't need to go to school". 

Her autobiography, My Voice for Freedom, published in French in 2008, has been translated into 12 languages including Nepalese. Despite her career taking off in the West, Dolma remained relatively unknown back home at first. 

But in 2005 she released "Moment of Bliss", an album featuring the song "Phulko Ankhama" (In the Eyes of Flowers), which became an instant hit at home, turning her into a celebrity in Nepal. 

"When I walk on the street, people come over and say: 'Oh Ani Choying!' They give me a big smile. It's a real blessing to know that I can be someone's pleasure for a moment." — Relax news

Full content generated by Get Full RSS.
Kredit: http://www.themalaysianinsider.com

The Malaysian Insider :: Showbiz

0 ulasan
Klik GAMBAR Dibawah Untuk Lebih Info
Sumber Asal Berita :-

The Malaysian Insider :: Showbiz


Sarajevans moved by Angelina Jolie war film

Posted: 25 Dec 2011 12:13 AM PST

Angelina Jolie's "In the Land of Blood and Honey" will be screened twice a day in Sarajevo until December 28 — two months before it officially opens in Europe. — AFP pic

SARAJEVO, Dec 25 — Sarajevans among the first filmgoers to see Angelina Jolie's directorial debut, a Bosnian wartime love story, came away deeply moved from a special screening in their city Thursday.

"The movie is very realistic, moving and hard to watch for someone who was here during the war. I am very emotional," Sabira Sokolovic told AFP.

A story of love between a Muslim woman and a Serb man against the background of Bosnia's 1992-95 inter-ethnic war, the movie sparked controversy in Sarajevo earlier this year when local media speculated it would tell the story of a Muslim rape victim who fell in love with her Serb attacker.

In fact the film tells the story of a couple who had a fling before the war and meet up again when the woman is taken prisoner by a unit of the Bosnian Serb army commanded by her former lover. He shields her at first but is transferred and she suffers the same abuse and rape as the other women held with her.

The film shows stark scenes of rape, executions and other war crimes.

Many viewers praised the film for its realistic portrayal of the horrors of the war that turned neighbours and friends into enemies when the country's Muslims, Croats and Serbs were pitted against each other.

"It is a lesson for future generations. Every inhabitant of Bosnia and the former Yugoslavia should see it," pensioner Seid Karic said.

"The movie is moving because it shows what really happened in Bosnia."

But not everyone liked the Hollywood treatment.

"The film is a disaster. I did not like it, I was a witness to the siege (of Sarajevo) and it was nothing like that," thirty-something Elvira, who did not want to give her last name, said after the screening.

"In the Land of Blood and Honey" will be screened twice a day in Sarajevo until December 28 — two months before it officially opens in Europe.

The international preview took place on December 5 in New York and the movie will open in the United States on Friday. It will go on general release in Europe in early February.

Bosnia's 1992-95 war claimed some 100,000 lives. Tens of thousands of people were held in prison camps where torture and abuse were commonplace. Government officials estimate that some 20,000 women were raped during the conflict. — afprelaxnews.com 

Full content generated by Get Full RSS.

Taylor Swift, T-Bone Burnett on ‘Hunger Games’ album

Posted: 25 Dec 2011 12:01 AM PST

Singer Taylor Swift accepts the award for Favourite Female Country Artist at the 2011 American Music Awards in Los Angeles November 20, 2011. — Reuters pic

LOS ANGELES, Dec 25 — Country singer Taylor Swift will lead a host of musicians collaborating with Oscar-winning artist T. Bone Burnett for a companion album to the upcoming film, "The Hunger Games".

Movie studio Lionsgate said on Friday that Burnett has joined forces with Swift, The Decemberists, Arcade Fire and The Civil Wars to create original songs for the film, set for release in March 2012.

"We are thrilled to have such a hauntingly beautiful companion album taking shape," said Joe Drake, co-COO of Lionsgate.

Swift and The Civil Wars' collaborated together on the single "Safe and Sound", which was released on iTunes on Friday and topped the iTunes songs chart.

"The Hunger Games", starring Jennifer Lawrence, Josh Hutcherson and Woody Harrelson, is based on the young adult series of novels, and tells the story of teenage boys and girls fighting to the death on a nationally televised event in a country called Panem, built on the remains of North America.

The film is set for release in US theatres on March 23, 2012. — Reuters 

Full content generated by Get Full RSS.
Kredit: http://www.themalaysianinsider.com

The Malaysian Insider :: Opinion

0 ulasan
Klik GAMBAR Dibawah Untuk Lebih Info
Sumber Asal Berita :-

The Malaysian Insider :: Opinion


Umno needs ‘game-changer’ to ‘share nation’?

Posted: 22 Dec 2011 06:57 PM PST

DEC 23 — Umno has done it again. Yes, even worse than the chest-thumping and brandishing of the keris, Umno leaders have said it all again. Each outdoing the other to inflict greater trepidation in their political nemesis, the opposition parties.

In so doing, Umno has turned "xenophobic". In their manic phase, they are finally waging war against anything perceived as "non-Umno" and, more despised, 'anti-Umno'.

Now that the dust has settled, Umno "moderates" (very few) would have wished that it was only a rehearsal of sorts. Likened to a horrendous dream, many would not want to be reminded by it. If only they could rewind or delete the orgy of vitriolic speeches and frenzied antics. It has surely left a very bad taste in the nation's mouth for a long time to come. But it is too late.

In all fairness, Najib's speech and the sound bites were mainly of party about to face a "do-or-die" outing in the impending 13th general election (GE). Understandably, it was aimed at heightening party's diehards and the faithful to be battle-ready.

But beyond those usual rhetoric expected of leaders of all political parties, of whatever ideological persuasions and notably in anticipation of a GE, Umno has inadvertently laid themselves bare in the eyes of all and sundry.

As if its information chief's rhetoric prior to the general assembly was not sufficient to stoke the siege-mentality that feeds on irrational fear, a current hallmark of the Umno-Malay constituency, speeches of both leaders of the two wings, Youth and Puteri, did not provide much to propel for a new framework of thinking.

Indeed, Youth chief Khairy Jamaluddin's belated effort of forging the concept of generational change does seem alien, and worse still, alienating to many of the rank and file. His talk of rewriting Umno's political DNA so as to enable the party to unlearn and relearn new realities, was surely beyond the grasp of his Youth Wing leaders, perhaps as well of top party leadership.

Incidentally, when the deputy president of the party chided both wings' leaders for failing to attract the attention and interest of the Generation Y, it is a veiled critique that KJ's ideas were, at best, hot air. Failing to connect with Gen Y surely smacks of an inability to understand them in the first place, making a rewriting of Umno's political DNA or a generational change sound so aloof and academic.

In all fairness, KJ could conversely have been blunt if only he had the courage to speak out against party's top leaders. KJ could have taken a pot-shot at Muhyuddin Yassin's own antics and his pathetic posturing on race-relation and Malay supremacy, which has time and again placed Umno Youth and Puteri Umno in a compromising situation and, hence, perceived as less "sexy" and attractive to the Gen-Y. If only "generational issues" of this nature be first understood, it helps political organizations to thrive.

That aside, the nation was still willing to give Umno and Najib Razak a chance to prove their worth. The onus was on them to convince the rest of the nation that Umno has what it takes to redeem this failing nation. It was their show and all eyes were on them. Umno could have showcased all the good sides of Umno and that only Najib's Umno understands what it takes to lead and "To Share This Nation"!

But, alas, for reasons only known to them, in much the same way the Auditor-General's report has nuked Najib's 2012 Election Budget, Umno has torpedoed any chance of their re-invention. In the face of a major watershed of the 13th GE, Najib and Umno's top leaders have miserably succumbed to playing to the bigger gallery of the Malay assembly.

The reaction of Dr Mohd Asri Zainal Abidin, the former Mufti of Perlis, who was back to attend the Umno GA from a short stint at the Oxford Centre for Islamic Studies, perhaps said it all. At this critical crossroads, he opined that Umno has failed to bring new ideas to match the hopes of the rakyat. Other analysts were more unfriendly, perhaps more caustic, in their critiques.

Faced with a litany of unending woes and a nation divided, Najib has failed to show he is in control of it all.  Umno top leaders, Najib included, were driving the party faithful into frenzy by manufacturing stories that the Malays were besieged and victimised, and turning their political nemesis convenient "bogeymen". Literally none were spared.

Given that overarching backdrop, the usually-visionary party president diminished into obscurity; in his place, a "street-fighter" of sorts. He lost sight of the bigger picture of convincing the world that only Umno could lead in "Sharing the Nation". He lost his Midas touch of a statesman; perhaps he never had one.

Najib's speech of a "game-changer" then sounded so hollow and far-fetched. Although he elaborated why Umno was capable of meeting challenges throughout its historical development, he failed to highlight what it takes to be a real "game-changer".

Najib rightly touched on three pertinent areas or elements that now require a "game-changer" – the new media, new political reality and new thinking among voters. But not unlike KJ, it was more hot air; products of a shadowy foreign operative to merely burnish his dented image both locally and internationally.

A "game-changer", simply put, is one who is able to think out of the box and come out with new and different ideas that stand out from the crowd. A game-changer is a leader who provides the group what it cannot do for itself. He or she leads, instead of being led.

Najib, unfortunately, is no epitome of a "game-changer" anyway. If anything, he is the anti-thesis of it.  Similarly, Umno, which has long fossilised and is perhaps incapable of reinvention, is acutely in need of a "game-changer". You can't give what you don't have!

What Najib failed to realise and elaborate in his speech was what it takes to truly be a "game-changer". If only Najib could have the audacity to grab the bull by its horns and tell all the Umno warlords that Umno must reform before it can transform, half the battle could have been won.

Reformation must be wide-ranging in all sectors: politically, economically and socio-legally. It must cut across the various levels; structurally, fundamentally and in fact breaking through on the realm of world-views. It must transcend beyond rhetoric and lip-service to dispel distrust and contempt.

For a start, Najib must further pronounce that if Umno is to reinvent itself, it must debunk the supremacist ideology of Malay Supremacy or Ketuanan Melayu and embrace the "Ketuanan Rakyat" or "Supremacy of the People".

It is not about competing with Pakatan Rakyat but more about understanding the demands of New Politics. It is not merely about tweaking policies or plagiarising it. It demands a total substantive approach; not merely a formative one. We already have an overdose of the latter.

Umno top guns must break the shackles of their own making — the perverted version of "Race, Religion and Royalty — and truly embrace the rule of law, constitutionalism of the Federal Constitution and above all, justice. It is premised on a vibrant and functional democracy.

The fact that Najib could embrace Pekida the very next day after the Umno GA and assure it that Malay survival is guaranteed, betrays Najib's shallowness and downright naivety. It makes a huge mockery and a farce of his 1-Malaysia clarion, when Najib was seen widely grinning with the ultra-Malay group Pekida.

Going by the performance of Najib and his spate of flip-flopping, he is now deemed to be following closely the foot-step of his immediate predecessor if not much worse.

His deafening silence on Sharizat Jalil's NFC fiasco, his lukewarm commitment on his recent political and legal reforms, namely the disgraceful passing of the Peaceful Assembly Act 2011, is living testimony of gross mismanagement of the nation.

The latest zigg-zagging on the new civil service pay scheme (SBPA) is indeed laughable.

Again, the question is asked, has Najib what it takes to lead and "share this nation"?

* The views expressed here are the personal opinion of the columnist.

Full content generated by Get Full RSS.

Karipap awak sedap tak?

Posted: 22 Dec 2011 04:15 PM PST

23 DIS — Rasanya tidak salah untuk kita memperkatakan tentang sebuah filem yang walaupun ianya telah beberapa bulan lalu ditayangkan di pawagam. Apalagi apabila kita masih sedang hangat membicarakan tentang filem bagaimanakah yang harus dinobatkan sebagai filem yang baik dan apakah kesan filem-filem yang diadaptasi dari novel.

Usaha-usaha sebegini bukanlah satu usaha yang baharu dilakukan di Malaysia. Sebelum ini kita telah ada filem seperti "Langit Petang"(1982) arahan Shahrom Mohd. Dom yang diadaptasi dari novel Sasterawan Negara A.Samad Said dengan judul yang sama dicetak pada tahun 1980, dua tahun selepas ianya dicetak.

"Ranjau Sepanjang Jalan", novel tulisan Sasterawan Negara Shahnon Ahmad yang ditulis pada tahun 1966, dijadikan filem dengan arahan oleh Jamil Sulong pada tahun 1983, dua puluh tiga tahun setelah novelnya diterbitkan.

Sekarang ini kedengaran pula novel Sasterawan Negara Anwar Ridhwan, "Hari-hari Terakhir Seorang Seniman" yang ditulis pada tahun 1984 dan sedang diarahkan oleh Sabri Yunus, dua puluh enam tahun setelah novelnya diterbitkan.

Yang menariknya, kita juga baru saja dihidangkan dengan filem adaptasi novel "Ombak Rindu" yang diarahkan oleh pengarah filem Osman Ali. "Ombak Rindu" sebuah novel popular yang ditulis oleh Fauziah Ashaari pada tahun 2002 terbitan ALAF 21, Kumpulan Karangkraf, yang dijual hakciptanya untuk dijadikan filem pada tahun 2009, tujuh tahun setelah pertama kali novel tersebut diterbitkan.

Filem yang telah mencecah lima juta ringgit pada minggu pertama itu telah menghasilkan dua kali ulangcetak berjumlah 40,000 naskah. ALAF 21 menjelaskan yang Fauziah Ashaari bakal menerima RM50,000 sebagai bayaran royalti dan telah menerima lebih dari RM220,000 bayaran royalti sejak tahun 2002.

Mungkin ini sesuatu yang jarang berlaku di dalam dunia penulisan dan perfileman tanah air. Sebelum filem "Ombak Rindu" pun sudah ada sebuah lagi novel popular "Karipap-karipap Cinta" (2010) tulisan Nazri M. Annuar terbitan PTS Fortuna yang filemkan.

Filem yang diarah oleh pengarah filem tersohor Othman Hafsham itu gagal mendapat perhatian yang tinggi di pawagam. Filem tersebut malah menemui kerugian dengan hanya mengutip RM980,000 berbanding modalnya berjumlah RM1.8 juta.

Walaupun sesetengah pihak menganggap yang ia mendapat saingan besar daripada filem box-office "Hantu Bonceng" arahan Ahmad Idham, ramai pihak pula berpendapat yang filem tersebut jauh lari dari cerita asal dalam novel popular remaja yang bernafaskan cinta islami.

Ramai penggemar novel menganggap yang filem tersebut bersifat liberal dan langsung gagal menyelitkan bibit-bibit percintaan dua remaja Melayu Islam dalam ruang lingkup Malaysia yang menjadikan Islam sebagai ugama rasminya.

Pada pandangan saya novel tersebut cuba mengikuti jalur-jalur yang telah dipacakkan oleh novel Ayat-ayat Cinta tulisan Habiburrahman El-Shirazy cetakan pertama pada tahun 2004, dan kemudiannya difilemkan pada tahun 2008 dengan arahan Hanung Bramantyo. Filem yang bukan hanya mendapat kutipan tinggi di Indonesia dan Singapura ini juga mencatat kutipan lebih RM15 juta di 22 pawagam di Malaysia pada tahun 2008.

Ada sesetengah penulis menyifatkan novel Nazri M. Annuar sebagai mempersendakan novel-novel cinta di pasaran tetapi diterjemahkan sebagai sebuah novel islam di dalam menjenamakan novel tersebut untuk melariskan jualan.

Jadi adalah tidak benar jika dikatakan yang penonton filem di Malaysia tidak menggemari judul yang bersifat islami. Tetapi mungkin ada benarnya jika dikatakan yang pengarah filem Othman Hafsham sudah tidak dikenali lagi kerana perbezaan generasi. Atau mungkin juga ada benarnya yang Othman Hafsham dan Cinematic membuat pilihan yang tidak tepat pada dua watak utama Gambit Shaifullah dan Melia Aimelia, yang bukan hanya tidak dikenali ramai, malah Gambit pula mempunyai imej yang tidak baik di kalangan penonton, kerana tingkah lakunya sebelum ini. Pendekata, penonton Malaysia bukan hanya menilai lakonan tetapi juga latarbelakang pelakon dan gossip-gossip yang menghujani mereka.

Bagi saya yang tidak mengenali kedua-dua pelakon tersebut dan hanya bersandarkan kepada pengetahuan latarbelakang perfileman Othman Hafsham, pengalaman menonton hanyalah tertumpu kepada bagaimana pelakon-pelakon tersebut membawakan watak masing-masing.

Filem yang juga bertemakan makanan ini tidak jauh berbeza dari filem "Papadom"(Afdlin Shauki) dan "Nasi Lemak"(Namawee) yang menampilkan isu pertembungan kaum di Malaysia atau isu "multi-culturalism". 

Mungkin Othman Hafsham yang dikenali kerana filem "Mekanik" di tahun 1983, masih ingin mempertahankan popularitinya sebagai pengarah filem-filem muhibbah, apalagi setelah kita kehilangan tokoh filem muhibbah Yasmin Ahmad.

Kerana itulah juga Othman Hafsham yang untuk sekalian lamanya bertapak di dalam program sitkom televisyen "2+1" dan "Pi Mai Pi Mai Tang Tu", menampilkan watak-watak Melayu, Cina dan India yang hidup dalam satu ruang lingkup, menampilkan filem "Karipap-karipap Cinta" sebagai sebuah filem yang berunsurkan "multi-culturalism". Malangnya filem ini seperti masih sangat terpengaruh dengan gaya arahan 1980an dan estetika televisyen yang sangat mendatar lakonan dan kedalaman perwatakan.

Memanglah Othman Hafsham di antara pengarah filem yang disegani di Malaysia, terutamanya di tahun-tahun 1980an selepas membawakan kita filem-filem yang sangat diingati seperti "Adik Manja", "Mekanik" dan "Rahsia".

Mungkin Othman Hafsham masih sama dan tidak berubah kehandalannya, tapi kita penonton-penonton filem Melayu yang telah banyak berubah, dari hanya menonton satu atau dua filem Melayu di pawagam dalam setahun dan dipaparkan dengan filem-filem Melayu hitam putih tahun 1950an dan 1960an, kini kita sudah boleh menonton 365 buah filem setahun melalui DVD, pawagam, ASTRO, YouTube di komputer riba atau di telefon gengam.

Kita, penonton filem masakini, sudah tahu menilai filem yang baik dan filem yang ingin ditonton, walaupun kita hanya boleh dibilang sebagai seorang "Film Buff". Sudah tiba masanya pengeluar dan pengarah filem memandang serius terhadap penonton filem dan tidak memperbodoh-bodohkan mereka.

Dari pengamatan saya, filem "Karipap-karipap Cinta" seperti melonggokkan isu "multi-culturalism" atau muhibbah ini secara terpaksa, melalui rakan serumah yang berketurunan India serta jiran berketurunan Cina. Bukannya skenario sebegini tidak wujud di Malaysia, tetapi pengembangan skripnya sudah berubah dari bukunya. Saya percaya yang isu Islam juga boleh ditemukan dengan isu "multi-culturalism" seperti yang telah hadir dalam filem Yasmin Ahmad.

Jika dilihat pada filem "Ayat-ayat Cinta", lagu temanya yang sama judulnya dinyanyikan oleh Superstar Indonesia, Rossa dan ditulis oleh komposer handal, Melly Goeslow, lebih melonjakkan lagi populariti filem tersebut.

Berbeza dengan lagu tema filem "Karipap-karipap Cinta" berjudul "Sehabis Baik" yang dinyanyikan oleh Ana Rafali mempunyai nada "indie" yang tidak ada unsur nada popular, sebaliknya hanya menjurus kepada sebilangan kecil peminat muzik. Ini langsung tidak memberikan promosi yang baik kepada bakal penonton filem tersebut. 

Pendekata, tidak mudah untuk menghasilkan filem yang baik daripada novel-novel popular dan termashur. Walaupun ianya mempunyai pengikut yang sedia ada, mereka juga mempunyai kayu pengukur yang tersendiri tentang bagaimanakah filem tersebut harus hadir di depan mata mereka. Manakala pihak pengeluar juga harus berdepan dengan isu royalti dan hak milik kreativiti dan cerita asal.

Bagi saya, apa yang paling menarik tentang "Karipap-karipap Cinta" adalah resipinya yang diberikan oleh Nazri M. Annuar.

      3 ulas rasa suka

      1 botol hati gembira

      1 biji rendah diri(saiz besar)

      5 keping kehormatan

      1 cubit rasa rindu

      3 batang tanggungjawab, dipotong halus

      3 bekas cita-cita

      10 guni kejujuran (diayak untuk membuang kata dusta)

Ramuan diadun dengan ilmu dan akal. Masukkan dalam kuali persahabatan, tunggu hingga masak. Setelah masak, hidangkan bersama yang tersayang.

* The views expressed here are the personal opinion of the columnist.

Full content generated by Get Full RSS.
Kredit: http://www.themalaysianinsider.com
 

Malaysia Insider Online

Copyright 2010 All Rights Reserved